Friday, October 19, 2012
Damarukam (2012) songs for free
Damarukam is a 2012 Telugu, fantasy film written and directed by Srinivasa Reddy. Nagarjuna, and Anushka Shetty play the lead roles in this film. The film features music by Devi Sri Prasad. The film is scheduled for December 25, 2012 worldwide release.
Filming
The film is loosely based on the novel, The Immortals of Meluha.[8] The shooting of the film began on April 25, 2011. The first schedule of the film was in Switzerland, where Nagarjuna would romance Anushka Shetty to the choreography of Raju Sundaram.[9][10] On September 29th 2012, The theatrical trailer of this socio-fantasy film has released with the movie Rebel, which graced the theatres that day. According to the producer Dr Venkat, the trailer has received a huge response from the film goers.[11] This movie is the first Telugu film ever with over 70 minutes of special effects. It is learnt that the movie is loaded with some of most breathtaking visual effects ever for an Indian movie and is going to set a new bench mark as far as VFx standards go in India. A team of over 150 visual effects experts have been working on the movie for over a year now. Fire Fly, the company which worked on special effects for films like Magadheera is working on this film as well.[12] Vyshnavi Films has bagged the overseas theatrical rights.
| No. | Title | Lyrics | Artist(s) | Length |
| 1 | "Omkaram" | Jonnavittula | Venkat Sai | 1:04 |
| 2 | "Aruna Dhavala" | Jonnavittula | Karthik | 1:05 |
| 3 | "Nesthama Nesthama" | Bhaskarabhatla | Sri Krishna & Harini | 4:56 |
| 4 | "Reppalapai" | Ramajogayya Sastry | Hariharan & Chitra | 3:42 |
| 5 | "Dheemtana" | Karunakar & Jonnavittula (Mantras) | Shankar Mahadevan | 2:08 |
| 6 | "Sakkubaai Garam Chaai" | Ramajogayya Sastry | Suchith Suresan & Mamta Sharma | 3:42 |
| 7 | "Laali Laali" | Chandrabose | Gopika Poornima | 4:47 |
| 8 | "Bhoona Bhoontalake" | Jonnavittula | M. L. R. Karthikeyan | 2:02 |
| 9 | "Kanyakumari" | Sahithi | Jaspreet Jasz & Sunitha | 4:31 |
| 10 | "Shiva Shiva Shankara" | Jonnavittula | Shankar Mahadevan | 4:52 |
Cameraman Ganga Tho Rambabu Review
Pawan Kalyan in Cameraman Ganga Tho Rambabu
Critic's Rating:
Cast: Pawan Kalyan, Tamammaah, Prakash Raj, Kota Srinivasa Rao, Nassar, Gabriela Bertante, Tanikella Bharani
Direction: Puri Jagannath
Genre: Action
Duration: 2 hours 29 minutes
Avg Readers Rating:
Movie Review: We'll begin with a disclaimer: Nobody goes to a Pawan Kalyan film looking for an immersive cinema experience per se. With the exception of the film critics, the majority of the viewing audience, be they fans or not, just go to watch him do his thing. Well, that's pretty much the universal operating principle for most big star Telugu films and this one is no different. The movie, it seems, is director Puri Jagannath's euphemism for "Pawanism". Don't ask us what that means but it sure seems to get his fans to break into a frenzy. Perhaps that's the magic of cinema rooted in personality cult!
The film even has Pawan taking potshots at himself! "Pawan Kalyan asale thikkodu, oka gun theesukoni kalchesthadu," (Pawan Kalyan is a crazy guy and he could even bump you off with his gun) goes a dialogue in the movie. "Ramudini Thaluchukunte Punyam Vasthundi, kani Rambabu ni thalchukunte nee chavu breaking news ga vasthundi," goes another dialogue. It has to be said that Pawan does a fabulous job of being himself as ever. His mannerisms are spot on as is the intensity in his dialogue delivery.
It's a character that's right up his alley. Rambabu is the angry young son of a wronged woman whose fight for justice lands her in a mental asylum, which is where she gives birth to him, it is revealed. He grows up to become a mechanic with a penchant for setting more than just defunct automobiles right and has a Che Guevara picture painted on a wall in his room.
Rambabu thinks individual responsibility comes before social responsibility and that we must be good people first to create a better world for ourselves. "Na kutumbani ee rashtram patinchu ko poyina, nenu matram ee rashtrani pattinchukuntanu (though this state has failed to take care of my family I will take care of this state)," he declares in the end as the credits begin to roll.
The movie begins on a seemingly serious note with a montage of grainy newsreels of YS Rajasekhara Reddy's Padayatra, Jagan Mohan Reddy's Odarpu Yatra, Telangana agitations, Sachin Tendulkar... that is, clippings of some of the most sensational news stories of the recent past playing to a serious background score.
Pawan makes his entry in characteristic style by settling a squabble between two student groups representing different castes. He does so by beating up every one of them and giving a speech to the media. That lands him a job as a journalist in a leading news channel and he goes about his job making arousing speeches, beating up politicians and so on and so forth.
He earns the wrath of a scheming former chief minister, Jawahar Naidu (Kota), who looks a little too much like Karunanidhi. Prakash Raj plays his son Rana Babu, a wannabe politician.
What plays out seems like a layman's take on the media-politician nexus that is resolved by one far-fetched climax. The movie works largely because of the second-half. Although it's low on logic it's pretty high on emotion. Also, the background score plays its part. The music by Mani Sarma is passable but his background score is much better. The visuals are alright. The dialogues are easily the best part of the film, besides Pawan, that is.
Did we forget Tamannaah? Well she's as pretty as ever, but is unfortunately reduced to being no more than of ornamental value in the film.
Tip-Off: Well it's cheesy alright but there's enough entertainment value in it provided you leave your brains home
The film even has Pawan taking potshots at himself! "Pawan Kalyan asale thikkodu, oka gun theesukoni kalchesthadu," (Pawan Kalyan is a crazy guy and he could even bump you off with his gun) goes a dialogue in the movie. "Ramudini Thaluchukunte Punyam Vasthundi, kani Rambabu ni thalchukunte nee chavu breaking news ga vasthundi," goes another dialogue. It has to be said that Pawan does a fabulous job of being himself as ever. His mannerisms are spot on as is the intensity in his dialogue delivery.
It's a character that's right up his alley. Rambabu is the angry young son of a wronged woman whose fight for justice lands her in a mental asylum, which is where she gives birth to him, it is revealed. He grows up to become a mechanic with a penchant for setting more than just defunct automobiles right and has a Che Guevara picture painted on a wall in his room.
Rambabu thinks individual responsibility comes before social responsibility and that we must be good people first to create a better world for ourselves. "Na kutumbani ee rashtram patinchu ko poyina, nenu matram ee rashtrani pattinchukuntanu (though this state has failed to take care of my family I will take care of this state)," he declares in the end as the credits begin to roll.
The movie begins on a seemingly serious note with a montage of grainy newsreels of YS Rajasekhara Reddy's Padayatra, Jagan Mohan Reddy's Odarpu Yatra, Telangana agitations, Sachin Tendulkar... that is, clippings of some of the most sensational news stories of the recent past playing to a serious background score.
Pawan makes his entry in characteristic style by settling a squabble between two student groups representing different castes. He does so by beating up every one of them and giving a speech to the media. That lands him a job as a journalist in a leading news channel and he goes about his job making arousing speeches, beating up politicians and so on and so forth.
He earns the wrath of a scheming former chief minister, Jawahar Naidu (Kota), who looks a little too much like Karunanidhi. Prakash Raj plays his son Rana Babu, a wannabe politician.
What plays out seems like a layman's take on the media-politician nexus that is resolved by one far-fetched climax. The movie works largely because of the second-half. Although it's low on logic it's pretty high on emotion. Also, the background score plays its part. The music by Mani Sarma is passable but his background score is much better. The visuals are alright. The dialogues are easily the best part of the film, besides Pawan, that is.
Did we forget Tamannaah? Well she's as pretty as ever, but is unfortunately reduced to being no more than of ornamental value in the film.
Tip-Off: Well it's cheesy alright but there's enough entertainment value in it provided you leave your brains home
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